On this canvas, the artist depicts…

Stop right there. We’ve already tried having masterpieces handed to us on a silver platter. Time to send the tour guide on vacation. We’ve got … heads of our own. Let’s try seeing through words instead.

The editors of THE GLOBAL TECHNOLOGY magazine have selected a series of loudly suggestive masterpiece titles — while keeping the masterpieces themselves hidden for now.

Welcome to the exhibition of NON-paintings. What can you see in these titles?

We’ve discovered new laws of the Universe in your pocket. By the way, there are many forgotten things in the Universe too.

Subscribe and cross the boundary of the possible with us.

Thank you!

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In Henri Rousseau’s The Sleeping Gypsy (1897), we will see:
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In Wassily Kandinsky’s lithograph Variegation in the Triangle (1927), we will see:
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In Lucio Fontana’s red canvas Spatial Concept. Expectations (1961), we will see:
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In Mark Rothko’s Orange, Red, Yellow (1961), we will see:
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In Christopher Wool’s Black Book (1989), we will see:
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In Pieter Bruegel the Elder’s Netherlandish Proverbs (1559), we will see:
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In Pablo Picasso’s The Dream (1932), we will see:
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In Andy Warhol’s Gun (1981–1982), we will see:
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In Edvard Munch’s Separation (1896), we will see:
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In John William Waterhouse’s The Soul of the Rose (1908), we will see:

Victory! We applaud your creative empathy. Sending the tour guide on vacation was clearly the right decision. Your self-guided visit to the NON-exhibition could not have gone better. We can’t wait to continue our delightful creative dialogue in the space of The Wall Global.

The Wall Global
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Alas, words alone were not enough to grasp the masters’ grand artistic visions. Time to call the tour guide back from vacation — operational necessity. For a proper artistic reboot, we head into the space of The Wall Global, where your imagination’s independent flight will be truly appreciated — and where you’ll learn how to steer it.

The Wall Global
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